The Book - technical issues
July 3rd 2009 01:31
I am remarkably pleased to announce that I am once again working on my great masterpiece, 'The Savage Princess'. I know, to say that on a crummy little blog makes me sound like one of a million posers on the net who say they are writing a novel. Thats why I dont like to talk about it. But Im going back to the real beginning, and constructing the history of book one. Understand, I never considered this to be an important thing. I wrote a perfectly good outline for book one when I was in high school, and that draft is still marked here and there with the red pen of my dear Mr Garrett. I remember how excited he was, how much he loved it, his visceral and emotional reactions to certain scenes. Because this guy knew I could write. He nominated me for the literacy award (which I recieved) he saw me win the school short story competition 3 years in a row, he saw my stories done under exam format under pressure of time. He saw a great potential in the work that I, at that time, did not see.
He asked for more, what I called a story he called an outline. It is my most common mistake in writing - because I know, I rush towards the end desperate to tell it and forget there are things the readers dont know, that they might like to know. One of the key ingrediants to creating fantasy is to let the reader dwell there. Its WHY you read it, to be transported. Right now Im reading 'Dragon and Phoenix' by Joanne Burtin (which I will review) and I think its also helped me get a clear idea of what I need. The scenes are long and comfortable, emphasizing where the characters are and their relationships. You are WITH them, literally, and this is something that 'Savage' needs desperately.
As I mentioned, my problem with this is that I wrote the first draft without any of the ideas I have now. In the first book the reader is deliberatly in the dark about the world, as she is infected by Apathy (which you may have recently read) and the world is bent out of its natural order. The final scenes are momentus, mesmerizing, as the Heros reset the world to her natural turning and banish Apathy.
But even if I dont want the reader to know everything, Im starting to believe that I should. Im alluding here and there and I like that its an 'open book' that what Ive alluded to could go in a myriad of directions. But Ive got to get over that child like excitement, and build the base.
Heres a brief overview of the series:
Alexondra, the Princess of Goldenstone has always lived a life of privilege, despite never being allowed to leave the Castle grounds. The day before her coronation as Queen she overhears her parents arguing and finds out that she is not, in fact a princess, but the daughter of a peasant woman and suspected witch. She flees the Castle in an attempt to uncover her own heritage, but once free in the lands of Goldenstone she finds that the world they live in has been captured by a great evil, and only she can find the way to end the suffering.
Nine Yans after the great battle that won Goldenstone back into the reign of its true king, Alexondra returns from her exploration of the Eastern Lands. On her return she finds an old friend sick and near dying, her daughter has disappeared and the King, the love of her life, has married. In her attempts to bring the secrets of the East into light in Goldenstone her and the King find they cannot deny their love for each other. The memories of battles won and the daughter they made together cannot be forgotten, and they run away together. Goldenstone's Queen awakens old hatreds and sends the army forth against the rebel lovers, resulting in Goldenstone's first ever civil war. To avoid the great continent being torn apart, Alexondra must make the ultimate sacrifice.
Tells of where Alexondra went directly after the battle in Book One - why she had to leave in such haste that her daughter was left behind as a mere infant, how she travelled the great and dangerous Iris sea, and what she found there on the Isle Iris, the temple of the Heavens, and the Star Temple.
Andretta, the daughter of Alexondra, left the Kingdom of Goldenstone at only seven Yans old to travel West. There she found the great continent of Divisia was breaking apart and all its races falling to war. With her strength and magic and help of allies found there she attempts to avert disaster, but realizes that only one person can prevent this war. Her mother, Alexondra. She returns to Goldenstone to look for her and arrives as the civil war is coming to its end.
Andretta and Alexondra travel to Divisia to prevent the war. The Four races that rule the continent have been set against one another - the uneasy balance has finally been thrown out irrepairibly, by one dragon sorcerer and his quest to rule all Omecka and claim her magic for his own. He is Poison, a son of Wisdom who was destined to be a Prince, but thirsts for ultimate power over the world itself.
Alexondra and Andretta return from Divisia with the new found daughter of power, Daemondra, who was born from Andretta before she left to seek Alexondra to aid in the war. Goldenstone has flourished and the girls look forward to heralding Omecka through a time of peace. Soon after their arrival, a woman appears who claims to be the daughter of Daemondra, calling herself Akshasa. She is savage and vicious, comprising the magical and warrior talents of her family. The shaky peace of the continents seems in peril by her very existance, until a greater enemy emerges.....Kalista, the keeper of Chaos, born of Poison's War, seeks nothing but to bring Chaos to Om's new order. Omecka herself lays down to Chaos, and only Akshasa can stop Kalista......But will she?
*Under Construction*
Firstly, I'd like to explain what 'Yans' means. You might be getting all worked up, thinking Oh crap, whats that about, but really its simple - Om is larger than Earth. Her days and nights are longer, seperated by lengthy periods of twilight in dawn and dusk, due to her light sources being entirely different to our sun. Basically, one Yan is two of our years. So Seven Yans would mean 14 years. Got it? A month is called an Ena, and there are equinoxes and such, seasons and time, but I'm not going into extensive details about all that.
Secondly, you may know that Om herself is the physical manifestation of Emotion. Therefore, all the life forms on her surface likewise represent a specific emotion. Since feelings are endless, some are big, some are small, some are lasting, some fleeting, the life forms change according to what they represent, not a natural life cycle. Because Life is used, some aspects mimic the life cycle, particularly on Om's eastern hemisphere, which houses Goldenstone and Isle Iris. On the western hemisphere, life patterns mimic that of planets unlike Earth, so there may be complete differences to the life cycles.
To put it simply, living and dying is not at all like we understand it.
And what I am doing now is creating the stories of those who came before book one - I wrote the family trees for all the major races, I wrote outlines of history, and even though I had a rough idea how we got there, thats all I had. Last night I gave myself a brain strain - no joke - on the family tree of the Royal Family of Goldenstone. From the Firsters to our character in book one, I'm creating the reasons why they married who they did, where they went and what it was all for. Im still not done. And I got more family trees to go.
Man, its hard enough to put two people together, but when they represent emotions? If 'recklessness' could marry, what would satisfy it? And what would its child be?
But its fun. And Im very pleased to be doing constructive work on my most loved of works. I plan to give you sketchy updates on it as I progress, but dont expect too much info. I do want you to have some surprises left when you read the book!
He asked for more, what I called a story he called an outline. It is my most common mistake in writing - because I know, I rush towards the end desperate to tell it and forget there are things the readers dont know, that they might like to know. One of the key ingrediants to creating fantasy is to let the reader dwell there. Its WHY you read it, to be transported. Right now Im reading 'Dragon and Phoenix' by Joanne Burtin (which I will review) and I think its also helped me get a clear idea of what I need. The scenes are long and comfortable, emphasizing where the characters are and their relationships. You are WITH them, literally, and this is something that 'Savage' needs desperately.
As I mentioned, my problem with this is that I wrote the first draft without any of the ideas I have now. In the first book the reader is deliberatly in the dark about the world, as she is infected by Apathy (which you may have recently read) and the world is bent out of its natural order. The final scenes are momentus, mesmerizing, as the Heros reset the world to her natural turning and banish Apathy.
But even if I dont want the reader to know everything, Im starting to believe that I should. Im alluding here and there and I like that its an 'open book' that what Ive alluded to could go in a myriad of directions. But Ive got to get over that child like excitement, and build the base.
Heres a brief overview of the series:
THE SAVAGE PRINCESS
Alexondra, the Princess of Goldenstone has always lived a life of privilege, despite never being allowed to leave the Castle grounds. The day before her coronation as Queen she overhears her parents arguing and finds out that she is not, in fact a princess, but the daughter of a peasant woman and suspected witch. She flees the Castle in an attempt to uncover her own heritage, but once free in the lands of Goldenstone she finds that the world they live in has been captured by a great evil, and only she can find the way to end the suffering.
THE SAVAGE PRINCESS TWO : ALEXONDRA RETURNS
Nine Yans after the great battle that won Goldenstone back into the reign of its true king, Alexondra returns from her exploration of the Eastern Lands. On her return she finds an old friend sick and near dying, her daughter has disappeared and the King, the love of her life, has married. In her attempts to bring the secrets of the East into light in Goldenstone her and the King find they cannot deny their love for each other. The memories of battles won and the daughter they made together cannot be forgotten, and they run away together. Goldenstone's Queen awakens old hatreds and sends the army forth against the rebel lovers, resulting in Goldenstone's first ever civil war. To avoid the great continent being torn apart, Alexondra must make the ultimate sacrifice.
THE SAVAGE PRINCESS THREE : ALEXONDRAS TRAVELS
Tells of where Alexondra went directly after the battle in Book One - why she had to leave in such haste that her daughter was left behind as a mere infant, how she travelled the great and dangerous Iris sea, and what she found there on the Isle Iris, the temple of the Heavens, and the Star Temple.
THE SAVAGE PRINCESS FOUR : ANDRETTA'S TRAVELS
Andretta, the daughter of Alexondra, left the Kingdom of Goldenstone at only seven Yans old to travel West. There she found the great continent of Divisia was breaking apart and all its races falling to war. With her strength and magic and help of allies found there she attempts to avert disaster, but realizes that only one person can prevent this war. Her mother, Alexondra. She returns to Goldenstone to look for her and arrives as the civil war is coming to its end.
THE SAVAGE PRINCESS FIVE : POISONOUS INFECTION
Andretta and Alexondra travel to Divisia to prevent the war. The Four races that rule the continent have been set against one another - the uneasy balance has finally been thrown out irrepairibly, by one dragon sorcerer and his quest to rule all Omecka and claim her magic for his own. He is Poison, a son of Wisdom who was destined to be a Prince, but thirsts for ultimate power over the world itself.
THE SAVAGE PRINCESS SIX : THE SEER
Alexondra and Andretta return from Divisia with the new found daughter of power, Daemondra, who was born from Andretta before she left to seek Alexondra to aid in the war. Goldenstone has flourished and the girls look forward to heralding Omecka through a time of peace. Soon after their arrival, a woman appears who claims to be the daughter of Daemondra, calling herself Akshasa. She is savage and vicious, comprising the magical and warrior talents of her family. The shaky peace of the continents seems in peril by her very existance, until a greater enemy emerges.....Kalista, the keeper of Chaos, born of Poison's War, seeks nothing but to bring Chaos to Om's new order. Omecka herself lays down to Chaos, and only Akshasa can stop Kalista......But will she?
BOOK SEVEN : APOCALYPSE
*Under Construction*
Firstly, I'd like to explain what 'Yans' means. You might be getting all worked up, thinking Oh crap, whats that about, but really its simple - Om is larger than Earth. Her days and nights are longer, seperated by lengthy periods of twilight in dawn and dusk, due to her light sources being entirely different to our sun. Basically, one Yan is two of our years. So Seven Yans would mean 14 years. Got it? A month is called an Ena, and there are equinoxes and such, seasons and time, but I'm not going into extensive details about all that.
Secondly, you may know that Om herself is the physical manifestation of Emotion. Therefore, all the life forms on her surface likewise represent a specific emotion. Since feelings are endless, some are big, some are small, some are lasting, some fleeting, the life forms change according to what they represent, not a natural life cycle. Because Life is used, some aspects mimic the life cycle, particularly on Om's eastern hemisphere, which houses Goldenstone and Isle Iris. On the western hemisphere, life patterns mimic that of planets unlike Earth, so there may be complete differences to the life cycles.
To put it simply, living and dying is not at all like we understand it.
And what I am doing now is creating the stories of those who came before book one - I wrote the family trees for all the major races, I wrote outlines of history, and even though I had a rough idea how we got there, thats all I had. Last night I gave myself a brain strain - no joke - on the family tree of the Royal Family of Goldenstone. From the Firsters to our character in book one, I'm creating the reasons why they married who they did, where they went and what it was all for. Im still not done. And I got more family trees to go.
Man, its hard enough to put two people together, but when they represent emotions? If 'recklessness' could marry, what would satisfy it? And what would its child be?
But its fun. And Im very pleased to be doing constructive work on my most loved of works. I plan to give you sketchy updates on it as I progress, but dont expect too much info. I do want you to have some surprises left when you read the book!
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